THE INVINCIBLE 2007 MOVIE
There’s also the music videos “The Kill” by 30 Seconds to Mars and Sparta’s “Taking Back Control”, and a generous helping of previews and promos.To my utter amazement, "The Invisible" isn't another lame horror movie what's even more amazing, it's not even lame. Davis is much more selective with his comments and has a very calm, albeit unstructured approach. The second commentary track is with the film’s other writer Mick Davis, who flies solo. Goyer dominates much of the conversation, which for the most part, breaks scenes apart. The first is with Goyer and writer Christine Roum. Goyer.For fans of commentary tracks, The Invisible has two of them. All include optional commentary from director David S. As far as extras go, there’s 11 deleted scenes totaling more than 13 minutes worth of footage. Again mood plays an important role in establishing the film’s intended impact. Sound is in the form of an excellent 5.1 Dolby Surround. The enhanced widescreen picture (2.35:1 aspect ratio) is very moody in its dark colour palette. The Invisible‘s DVD release is solidly average. There are times of originality, but there’s also enough of sticking to the thriller genre “rules” that the end result is mixed. If only it made itself a smidge more complex. It’s frustrating because it’s almost quite good. The Invisible offers some inspired moments. Some sort of icky Stockholm Syndrome I guess. How a guy can fall for the girl who almost kills him is beyond me. I’m not sure if Nick and Annie were meant to form a romantic bond from beyond á la Ghost, but there’s certainly a bond built between them. Though it does feel awkward at times, I did appreciate that The Invisible strove to think different even if I did see it as a combination of other films. However, as Annie’s onion is peeled back, she becomes far more interesting and almost complex beyond her thug-life attitude. Once almost dead, Nick’s story arc is somewhat limited. It’s not a matter of the actors trying to upstage each other but rather the script. The result makes the overall tone of the film awkward as both compete to be the main attraction. But about mid-way through the second act there’s a switch to make Annie the center. He’s firmly established in the beginning as being the man with whom everything revolves. On the one hand Nick is clearly the main character. There seems to be come confusion as to whose film this is. And his ghostly presence is left to watch his life without him and hopefully find a way to make sure he doesn’t end up dead. A good butt-kicking results in a presumed murder and Nick is left for dead. Annie goes after Nick after someone accuses him of ratting Annie out. Now she’s all about moping, stealing things and wearing her hoodie. The daughter of a former policeman, she has turned to a life of crime and rebellion following the death of her mother. This has led to lots of tension between Nick and his mother (Marcia Gay Harden), tension to the point of where Nick is read to blow his own head off.Īnnie (Margarita Levieva) is the girl from the other side of the proverbial tracks. He’s got everything a teenage boy could want (including good-looking girlfriend) except a father who died a few years prior. He lives the sweet life complete with big, fancy house and a big, fancy watch that came in a big, fancy box for a graduation present. Nick Powell (Justin Chatwin) is a boy who’s set for life before he finishes high school. As the comparison suggests, there’s some interesting ideas afoot, but there’s also a struggle as to which to direction it wants to head.
Goyer’s The Invisible, which is equal parts The Sixth Sense, Ghost and It’s a Wonderful Life. In one of the strangest groupings comes David S. Sometimes it’s fun to see what films another film cares to most.
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